An Explosion Of Conventional Aesthetics
Itās the first of February and Iām attending the second live art performance at the ongoing Sensorium fest at Sunaparanta, Centre for the Arts. A young man clad in flowing robes is moving around chanting and distributing red roses to the seated audience. Soon eggs and chicken will also feature in another art act. Welcome to the brave new world of Live Art.
The experience of witnessing a live art performance immerses us in a new sensorium, cure destroying pretence and traditions, and smashing the old rules. New kinds of engagement are born, activating audiences in public spaces, with or without dialogue. Itās all up to the viewers to figure out their interpretations. This āexplosion of conventional aestheticsā may be performed in a gallery, theatre, or even some rather unusual locations.
Heritage Hotels have curated this Sensorium event, featuring artists Bisaji Gadekar from Goa and Sajan Mani from Kerala. The show is followed by Siddharth Shanghvi in conversation with Nikhil Chopra, the well known Goa-based performance artist.
29-year-old Bisaji has been into performance art for the past four years. The audience is always drawn into his interactive performances. He calls his performance āWhat will you take from it?ā Dressed in flowing garments simulating a house, he chants āhi, hai, hai,ā in varying octaves, and hands out roses to the audience, a ritual generally associated with love. āThe visuals might give you the perception of love; it might not be real,ā seems to be the message.
The performance moves to a house made with cloth, suspended a foot above the ground by strings at its four corners. He sheds his garment and runs out of the courtyard, returning with bunches of red, pink and violet gas balloons, which he ties to the four corners. The chanting āhai, haiā continues. He bandages his face and head, leaving a slit at the eyes. Then he crawls under the house, lights a candle, and cuts the strings that anchor the house, which sways with the balloons above it. He severs the tethering cords of the balloons which float into the air, and the house collapses.
Sajanās performance is titled āSecular Meatā, and takes place alongside Bisajiās act. It questions the relationship of food with the body and its identity. He is clad in just a loin cloth, his body and hair painted with a greenish blue fruity colour. A pile of eggs are arranged in a circle, with two chickens cut in half placed around the eggs, dipped in the green. Three eggs at the top are white in colour. He lies immobile through Bisajiās performance, and when he moves, someone in the audience gasps, āI thought it was a statue!ā
He gazes at the eggs and chicken, rubs a white egg against his neck and face, climbs into a small tin tub and pours water over his body. Then he climbs out, takes a white egg again and rubs it on his forearm. He seems to be wondering if his skin has whitened. It hasnāt. He continues washing until all the paint washes out.
āMy life is a performance, so I canāt say when I started Performing Art. Itās like a learning process. My main concern is on the black ādalitā body, based on movement to different public spaces. I perform at galleries, but the public relationship is my main intent,ā says 32 year old Sajan who has completed a residency with Nikhil Chopra, and has performed at Vancouver, Dhaka and the UK.
Nikhil Chopra is introduced by Siddharth as āa maestroā in Live Performance. After an art residency in 2011-12 in Berlin, he came back with potent experiences of interaction with people, playing with space and time. He came to Goa a few years ago, and was inspired enough to rent a hotel in North Goa. It is easier to get people to come to Goa, and create a platform for artists from all disciplines, he says. Sunaparanta has given him the space to expand and bring Performance Art to the public.
Assisted by Roman, a Frenchman, and Madhuri, an art critic from Mumbai, Heritage Hotels is on the front line of artistic inquiry into our culture, artists and audience. They have weekly events over wine and beer, and Nikhil finds a lot of young artists from Goa are looking at what he does.
His work draws on personal and collective cultural history, examines the questions of identity and the role of autobiography. He looks at the politics of posing and self-portraiture, and his performances are a form of storytelling, of a personal narrative of everyday life.
The challenge for an audience at such a show is to sustain through the long duration, slow gestures and unfolding narratives. Some guests left mid performance, shaking their heads. Those familiar with live art applauded, while some could not relate to it at all. When conventional aesthetics explode you are bound to see some baffled victims!
i really felt bad that i missed this performance . thanx for the visuals that i am trying to relate to the text .as i am an practicing in the same field it helped me to boost my knowledge in the field of art.
This is an exciting report about the emerging performance art field in India. A really wonderful photographer is there behind the images, though uncredited.Good read…